The Brutalist (2024) Review: The Presence of the Past that lingers in the Future
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Lakshmi
I literally exited the theatre with a ‘Wow!’ during the intermission post the first half of this film.…
Thai Director Pat Boonnitipat talks about his heartfelt Oscar-worthy trailblazing film ‘How To Make Millions Before Grandma Dies’
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Director Pat Boonnitipat began his career as a television director and cinematographer helming an array of popular Thai…
Fashion Art Toronto’s 1664 Fashion Week F/W 2024
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Fashion Art Toronto, the city’s iconic multi-arts fashion hub, unveiled the details for its much-anticipated 1664 Fashion Week…
Hello, Love, Again (2024) Review: Is Redemption of Love possible?
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Following the immense box office success and praise received for ‘Hello, Love, Goodbye’, it won’t be a surprise…
Filipina Director Cathy Garcia-Sampana on working with Kathryn Bernardo and Alden Richards in Canada for ‘Hello, Love, Again’
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Before switching to film, Director Cathy Garcia-Sampana began her career as a television director, helming an array of…
Director Mukkadas Mijit discusses the Uyghur movie ‘Nikah!’
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Mukaddas Mijit is an ethnomusicologist, filmmaker, dancer, and choreographer, born in Urumchi in the Uyghur region. She has…
Nikah! (2024) Reel Asian Film Festival Review: A Marriage Story
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As her younger sister gets married, 27-year-old Uyghur woman Dilber (Guzalnur Uchqun) needs to deal with the societal…
All We Imagine as Light (2024) TIFF Review: A City of Illusions and Resistance
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Mumbai- the city of illusions. You have to believe the illusion or else you’ll go mad. In the…
Daughter’s Daughter (2024) TIFF Review: Sylvia Chang is back!
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Taiwanese legend Sylvia Chang shines in this realist bittersweet story of love and loss from the perspective of…
Filipina Director Antoinette Jadaone reflects on her career and her dark psychological sports film, ‘Sunshine’
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I have been watching Director Antoinette’s movies for over a decade now. Most of the classic rom-com hits…
