Cut to Perfection: Affonso Gonçalves on co-editing with Chloé Zhao on ‘Hamnet’
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Lakshmi
A film truly comes alive in the editing room, and few editors command that space like Affonso Gonçalves.…
Through Łukasz Żal’s Lens: Hamnet’s Cinematic Vision
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Polish cinematographer Łukasz Żal is one of today’s most acclaimed visual artists in cinema, known for crafting images…
Inside the Casting of ‘Hamnet’: Nina Gold on Instinct, Humanity, and Story
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Nina Gold is nothing short of a casting alchemist — the creative force behind some of the most…
Reuniting Stories: Tasha Hubbard and Michael Greyeyes on ‘Meadowlarks’, the Sixties Scoop, and healing through film
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Director Tasha Hubbard is a Cree filmmaker from Peepeekisis Cree Nation in Saskatchewan. Originally a documentarian known for…
Meadowlarks (2025) TIFF Review: A sentimental reunion in Banff
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In her 2017 documentary Birth of a Family, Tasha Hubbard delves into the powerful story of Betty Ann…
Ever After: TIFA launches its first festival devoted to Romance
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Think Bridgerton, High Tea and reading Austen. The Toronto International Festival of Authors (TIFA) stepped into a new…
Behind the Hellos and Goodbyes: Cathy Garcia-Sampana & Joshua Garcia on ‘Meet, Greet, and Bye’
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Every story begins with a hello—but Filipino Direk Cathy Garcia-Sampana and actor Joshua Garcia remind us that goodbyes…
Thai Director Ratchapoom Boonbunchachoke on ‘The Useful Ghost’, a vacuum cleaner and Davika Mai
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Ratchapoom Boonbunchachoke is a visionary Thai filmmaker known for his distinctive blend of dark humor, political commentary, and…
Kiss of the Spider Woman (2025) Review: Oh Molina!
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“The nicest thing about feeling happy is that you think you’ll never be unhappy again.” Isn’t it true?…
Rebirth through Ruins: László Nemes talks ‘Orphan’, identity, and the shadows of history
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László Nemes, an esteemed Hungarian auteur and screenwriter, etched his name into cinematic history with his debut feature…
