Goodbye Givenchy

Young Givenchy at work. Photo: Flickr

It is my distinct pleasure to write this in honour of the late fashion legend I have admired since my childhood days.

Givenchy initially worked for Jacques Fath in 1945. Subsequently he made designs for Robert Piguet and Lucien Lelong. Elegant, young and well-educated Givenchy soon found jobs in the fashion houses that had risenduring the pandemonium and thrilling buzz of post-war Paris, working alongside the still-unknown and older Pierre Balmain and Christian Dior,

who were on the way to becoming legends themselves. From 1947 to 1951 he worked for the avantgarde designer Elsa Schiaparelli becoming the artistic director of her boutique in Place Vendôme.

The House of Givenchy in Paris. Photo: 文檔: Wikipedia
The Bettina blouse modelled by Graziani herself. Photo: Nat Farbman/ Flickr

Audrey Hepburn in Breakfast at Tiffany’s Photo: Christina Saint March/ Flickr

It’s a dress that has come to be specimen for a certain insouciant blasé-type sophistication. A dress that has been endlessly copied, mimicked and revisited. The dress sold at auction at Christie’s in 2006 for £467,200.

Other designers took the business reins after he left, including John Galliano, Alexander McQueen and Riccardo Tisci. His final collection for the Fall/Winter season 1995-1996 ended his celebrated 43-year career. Before the show, he reportedly told his friends: “I’ve stopped making frocks, but not making discoveries. Life is like a book; one has to know when to turn the page.”

At the height of 6ft 6in, Givenchy was a giant of haute couture in every sense. Not only did he physically tower over his peers, but his designs had acolossal effect over the heads of his rivals.
The house of Givenchy paid homage to its founder in a statement as “a major personality of the world of French haute couture and a gentleman who symbolized Parisian chic and elegance for more than half a century. “He revolutionized international fashion with the timelessly stylish looks he created for Audrey Hepburn, his great friend and muse for over 40 years,” the house of Givenchy said. “His work remains as relevant today as it was then.” As the French say, son héritage ne mourra jamais. Even though the world bidthislegendau revoir, hislegacywill live on.

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