Celebrating Nearly 30 Years of Genre Cinema: The 2025 Fantasia International Film Festival
- By
Lakshmi
As summer rolls in, the Fantasia International Film Festival returns for its 29th chapter, a cinematic juggernaut celebrated…
Pavane For An Infant (2025) NYAFF Review: Where Silence Cradles Life
- By
Director Chong Keat Aun’s latest movie was the opening film at the 49th Hong Kong International Film Festival…
Valley of the Shadow of Death (2025) NYAFF Review: The Darkness of Forgiveness
- By
In a powerful fusion of vision, emerging young directorial duo of Jeffrey Lam Sen and Antonio Tam embarked…
Nicola Rose and Shayelin Martin on Synesthesia, Storytelling, and ‘Magnetosphere’
- By
Nicola Rose’s journey spans continents and cultures—born and raised in the United States before immersing herself in the…
Morgann Book Talks BookTok, Bestseller Buzz and the Road to Screen
- By
In today’s digital age, social media isn’t just part of the equation — it is the equation. A…
Filmmaker R.T. Thorne talks about ’40 Acres’, a striking blend of dystopian tension and family-centered storytelling
- By
Canadian filmmaker R.T. Thorne brings a bold visual flair and a strong voice for industry equality to everything…
We Were Liars: Metaphorical Perceptions of Reality
- By
I remember reading E. Lockhart’s We Were Liars when it released back in 2014. The book started out…
Actress/singer Zoe Lewis talks about her role in ‘Boxcutter’ and the powerful influence of music
- By
Zoe Lewis is a breakout talent, stepping into the acting world while captivating listeners with her R&B voice…
The Life of Chuck (2025) Review: Containing Multitudes
- By
Chuck. Dreams. Visions. And Dance. Originally published in his 2020 anthology book If It Bleeds, Mike Flanagan’s ambitious…
The Hollywood Reporter Women in Entertainment Canada 2025
- By
On May 29, the second edition of The Hollywood Reporter Women in Entertainment’s first-of-its-kind summit and award ceremony…
