The Sound of the Desert: Kanding Ray’s Cosmic Score for ‘Sirāt’
- By
Lakshmi
When the music of Sirāt swells on screen, it feels like a bridge between worlds: ancient and modern,…
Cut to Perfection: Affonso Gonçalves on co-editing with Chloé Zhao on ‘Hamnet’
- By
A film truly comes alive in the editing room, and few editors command that space like Affonso Gonçalves.…
Through Łukasz Żal’s Lens: Hamnet’s Cinematic Vision
- By
Polish cinematographer Łukasz Żal is one of today’s most acclaimed visual artists in cinema, known for crafting images…
Inside the Casting of ‘Hamnet’: Nina Gold on Instinct, Humanity, and Story
- By
Nina Gold is nothing short of a casting alchemist — the creative force behind some of the most…
“I Couldn’t Believe It Took That Long”: Korean Director Park Chan-wook and actor Lee Byung-hun Reunite for ‘No Other Choice’
- By
For Director Park Chan-wook, No Other Choice has been a long time coming. They literally had no other…
Reuniting Stories: Tasha Hubbard and Michael Greyeyes on ‘Meadowlarks’, the Sixties Scoop, and healing through film
- By
Director Tasha Hubbard is a Cree filmmaker from Peepeekisis Cree Nation in Saskatchewan. Originally a documentarian known for…
Meadowlarks (2025) TIFF Review: A sentimental reunion in Banff
- By
In her 2017 documentary Birth of a Family, Tasha Hubbard delves into the powerful story of Betty Ann…
Ever After: TIFA launches its first festival devoted to Romance
- By
Think Bridgerton, High Tea and reading Austen. The Toronto International Festival of Authors (TIFA) stepped into a new…
Behind the Hellos and Goodbyes: Cathy Garcia-Sampana & Joshua Garcia on ‘Meet, Greet, and Bye’
- By
Every story begins with a hello—but Filipino Direk Cathy Garcia-Sampana and actor Joshua Garcia remind us that goodbyes…
Thai Director Ratchapoom Boonbunchachoke on ‘The Useful Ghost’, a vacuum cleaner and Davika Mai
- By
Ratchapoom Boonbunchachoke is a visionary Thai filmmaker known for his distinctive blend of dark humor, political commentary, and…
