We Were Liars: Metaphorical Perceptions of Reality
- By
Lakshmi
I remember reading E. Lockhart’s We Were Liars when it released back in 2014. The book started out…
We Were Liars: Metaphorical Perceptions of Reality
- By
I remember reading E. Lockhart’s We Were Liars when it released back in 2014. The book started out…
Actress/singer Zoe Lewis talks about her role in ‘Boxcutter’ and the powerful influence of music
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Zoe Lewis is a breakout talent, stepping into the acting world while captivating listeners with her R&B voice…
The Life of Chuck (2025) Review: Containing Multitudes
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Chuck. Dreams. Visions. And Dance. Originally published in his 2020 anthology book If It Bleeds, Mike Flanagan’s ambitious…
The Hollywood Reporter Women in Entertainment Canada 2025
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On May 29, the second edition of The Hollywood Reporter Women in Entertainment’s first-of-its-kind summit and award ceremony…
Mission: Impossible- The Final Reckoning (2025) Review: A Test of Anxiety
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Tom Cruise’s latest film in the ground-breaking AI-driven action franchise still lives up to its challenge– accepting the…
Filipina actress Cristine Reyes discusses the paradox of good and evil in ‘The Kingdom’
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Hailed as the ‘Ultimate Star’ of the Philippines, Cristine Reyes has constantly demonstrated the reason for her unprecedented…
Another Simple Favor (2025) Review: Define ‘Simple’ please?
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I am still surprised she got out of prison. I mean, after the events in A Simple Favor…
On Swift Horses (2025) Review: What is Love?
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This movie is evidence of romanticism of post-war America in the 1950s. This tumultuous period was concealed by…
The Wedding Banquet (2025) Review: Andrew Ahn’s take on the metamorphosis of queerness from 1993 to 2025
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Director Andrew Ahn is probably one of the most sought-after directors within the LGBTQ+ community, thanks to his…
Director Andrew Ahn discusses the re-imagination of ‘The Wedding Banquet’
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In his art, Andrew Ahn never shies away from challenging the conventional notions of gender and sexuality, while…
